ONE YEAR OLD BABY MILESTONES : BIRACIAL BABY PICTURES.
- Milestones is an album recorded in February and March 1958 by Miles Davis. It is renowned for including Miles' first forays into the developing modal jazz experiments, as noticed on the piece "Miles" (not to be confused with "Milestones" - recorded, by Davis, in 1948), which would be followed to
- A stone set up beside a road to mark the distance in miles to a particular place
- (milestone) stone post at side of a road to show distances
- (milestone) a significant event in your life (or in a project)
- An action or event marking a significant change or stage in development
- available for incurring obligations only during a specified fiscal year
- annual: completing its life cycle within a year; "a border of annual flowering plants"
- One Year is the debut album by singer Colin Blunstone, former member of the British rock band, The Zombies. It was released in 1971 (see 1971 in music).
- The youngest member of a family or group
- pamper: treat with excessive indulgence; "grandparents often pamper the children"; "Let's not mollycoddle our students!"
- the youngest member of a group (not necessarily young); "the baby of the family"; "the baby of the Supreme Court"
- A very young child, esp. one newly or recently born
- A young or newly born animal
- a very young child (birth to 1 year) who has not yet begun to walk or talk; "the baby began to cry again"; "she held the baby in her arms"; "it sounds simple, but when you have your own baby it is all so different"
Gund My First Birthday Playset
Gund My First Birthday Playset Whether your baby knows it or not, the Gund My First Birthday Playset is the gift they want this year. Your child's soft, confetti-colored birthday cake holds a 2 x 2 photo with their cute little face. Out of the self-storing, zippered cake pops out a tiny teddy bear that plays "Happy Birthday." The plush party hat and present crinkle, while the cupcake rattles. All that plus a squeaking camera with unbreakable mirror make this set a terrific sensory development toy. Order the Gund My First Birthday Playset today!
The Noor Jahan era 1926-2000
Noorjehan or Noorjehan was the adopted stage name for Allah Wasai (September 21, 1926 – December 23, 2000) who was a legendary singer and actress in British India and Pakistan. Her career spanned seven decades. She was renowned as one of the greatest and most influential singers of her time in South Asia and was given the honorific title of Malika-e-Tarannum or the queen of melody.
Born in a Punjabi family of musicians, Wasai was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances. She holds a remarkable record of 10,000 songs to her singing credits in various languages of India and Pakistan including Urdu, Hindi, Punjabi and Sindhi languages, Along with Ahmed Rushdi, she holds the highest record of film songs in the history of Pakistani cinema. She is also considered to be the first female Pakistani film director.
In 1957, Jehan was awarded the President's Award for her acting and singing capabilities. She began to sing at the age of five or six years old and showed a keen interest in a range of styles, including traditional folk and popular theatre. Realising her potential for singing, her mother sent her to receive early training in classical singing under Ustad Bade Ghulam Ali Khan who was also a native of Kasur. He instructed her in the traditions of the Patiala Gharana of Hindustani classical music and the classical forms of thumri, dhrupad, and khyal. At the age of nine, Wasai drew the attention of Punjabi musician Ghulam Ahmed Chishti, who would later introduce her to stage in Lahore. He composed some ghazals, naats and folk songs for her to perform, although she was more keen in breaking into acting or playback singing. Once her vocational training finished, Wasai pursued a career in singing alongside her sisters in Lahore and would usually take part in the live song and dance performances prior to screenings of films in film theatres.
The family moved to Calcutta (now Kolkata) in hope of developing the movie careers of Wasai and her sisters. During their stay in Calcutta, the renowned singer Mukhtar Begum, encouraged Wasai and her two older sisters to join film companies and recommended them to various producers. She also recommended them to her husband, Agha Hashar Kashmiri, who owned a maidan theatre (a tented theatre to accommodate large audiences). It was here that Wasai received the stage name Baby Noor Jehan. Her older sisters were offered jobs with one of the Seth Sukh Karnani companies, Indira Movietone and they went on to be known as the Punjab Mail. Wasai would later adopt Mukhtar Begum's way of performance and sari attire.
In 1935, K.D. Mehra directed Pind di Kuri in which Jehan acted along with her sisters. She next acted in a film called Missar Ka Sitara (1936) by the same company and sang in it for music composer, Damodar Sharma. Baby Noor Jehan also played the child role of Heer in the film Heer-Sayyal (1937). After a few years in Calcutta, Noor Jehan returned to Lahore in 1938. In 1939, Ghulam Haider composed songs for Jehan which led to her early popularity. She then recorded her first song Shala Jawaniyan Mane for Dalsukh M. Pancholi's movie Gul Bakavli.
Prior to Khandaan Jehan was cast as a child artist. It was in 1942 that she played the main lead opposite Pran. Khandaan's success saw her shifting to Bombay (now Mumbai), where she shared melodies with Shanta Apte in Duhai (1943). It was in this film that Noor Jehan lent her voice for the second time, to another actress named Husn Bano. In 1945 Jehan played the lead role, alongside Lata Mangeshkar and Asha Bhosle, in the movie Bari Maa.
In 1945, she achieved a milestone, when she sung a Qawwali with Zohrabai Ambalewali and Amirbai Karnataki which was "Aahen Na Bhareen Shikave Na Kiye". This was the first ever Qawwali recorded in female voices in South Asian films.
Noor Jehan's (Deepa govindarajan) last film in India was Mirza Sahibaan (1947) which starred Prithviraj Kapoor's brother Trilok Kapoor. Noor Jehan sang 127 songs in Indian films and the number of talking films she made from 1932 to 1947 was 69. The number of silents was 12. Fifty-five of her films were made in Bombay, eight in Calcutta, five in Lahore and one in Rangoon (now Yangon), Burma.
After the creation of Pakistan in 1947, Jehan decided to move to Pakistan along with her husband Shaukat Hussain Rizvi. She left Bombay and settled in Karachi with her family. Three years after settling in Pakistan, Noor Jehan starred in her first film in Pakistan, Chanwey (1951), opposite Santosh Kumar, which was also her first Punjabi film as a heroine. Shaukat and Noor Jehan directed this film together making Noor Jehan Pakistan's first female director. Noor Jehan's second film in Pakistan was Dopatta (1952) which turned out to be an even bigger success than Chanwey (1951). Her penultimate film as an actress/singer was Mirza Gha
Parental Rites of Passage
Day one hundred fifty-one/365. We all know about rites of passage -- those events that mark points in our life from which we "travel on." By the time we reach adulthood, and perhaps get married, we've seen most of those celebrated times.
But, those of us who are parents know that we we continue to have rites of passage -- through our kids! The events affecting our children help us to reflect on our own lives.
For example, when our first son stepped on the bus to go to kindergarten the very first day, my wife had a difficult time. I was fine with it; after all, he was eager to go! The difficult event for me was leaving him at college that first day. He knew no one there. He looked lost. And, he would no longer be present in our house in the same way he had for eighteen years! How bitter-sweet!
Today, I traveled to a lower elevation (hence, no snow in the photo), to pick up a driver's manual for our youngest son. Our baby is sixteen and cannot wait to drive my truck! The other two are out of the house, living on their own. Today's trip was symbolic of giving our youngest a giant leap in freedom. Freedom away from us.
To our son, a long-awaited event. For his parents, a rite of passage. What other rites of passage are coming along? Which might sneak up on us because we hadn't considered them milestones before they will have happened?
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